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CLICK HERE FOR STILLS. CLICK HERE FOR POSTER. When Livewire escapes captivity, while being transfered to a maximum security meta-human prison, she seeks to shack up with gal-pal, Selina Kyle (Catwoman) who is currently on "vacation". But sooner than later, Livewire's high profile and in-your-face attitiude quickly become an annoyance and drive Catwoman batty. With only one option to rid herself of her unwanted house guest, Catwoman enlists the help of the reluctant cousin to the man of steel, Power Girl. The sparks fly as Catwoman, Power Girl and Livewire go all out in this babetastic action short. A WORD FROM CHRIS This movie from script to screen has probably taken a little over a year to do. And man, what a hellish trek that's been. It started in February of 2006 after a photoshoot I did with Tawnya and Niki in full costume. The idea of seeing Power Girl and Catwoman together intrigued me. So I began toying around with an idea for a script, but I couldn't come up with anything solid. I spent about 2 months thinking of an idea, potential villains, and reasons why they would all need to meet. But nothing came up. So the project's enthusiasm eventually died down and I moved on. In fact, it wasn't until a year later, when I saw Grindhouse that I actually regained interest again. I don't know, but something about that theme by Robert Rodriguez and those opening credits for Planet Terror really made an impression on me. And low and behold, everything fell into place. With in a few hours, I had written the entire script, figured out how I could make this movie and that was it. I began casting and here we are now. But things were not to easy afterwards. Scheduling became difficult since this was a rather large cast but for the most part I made due. I managed to cram all production into a week or so and went all out for costumes. Niki and Tawnya both have brand new suits and they look great. Fight calls began but this is where my second snag came in. With litterally 90% of the film complete, all that was missing was the opening fight scene, my god- that had to be the most difficult shoot to schedule. Everyday, there was another reschedule. In fact, it took an entire month before we could properly schedule this thing to go down and we still ultimately had problems. I could probably make a movie about the hell I went through to make that damn scene, but that's another story entirely. The bottom line is IT PAID OFF. Manny Brown returned as fight choreographer on this film and my god, the work he did was sick. Julia Royter returned as well, and with two last minute editions, Jim Ford and Avey Young, I have to commend those guys for really doing an amazing job with just an hour of rehearsals. |